Minoysulkstillife
The mighty Minoy out of Torrence, California made quite a stir in the mail art and mail music networks. This blog is dedicated to our collaborations.
The Elevation of Anxiety works are my collaborations with Minóy recorded by both of us (sometimes his mix - as in all of the m\z tapes; sometimes mine). These started in 1985 when I mixed together a couple Minóy tapes. The titles with lots of M's and Z's are part of this series which evolved as we sent tapes back and forth, adding more goodies to each other's mix. These also include Aquabatic Bubblegum, Dubzanmex and Zanminóysextra.
As the Lumbering Castles Foundation Rumbles begins with a soothing sleepy narrative, followed by a zesty vocal piece, a short collaborative piece with Katharsis, a classic Minóy saturated vocal space drone joined by sparse, unnerving alliteration, and ending with a stratospheric noisy and stretched vocal piece.
Inverse Zanatone if all is well - will make you cringe and reach for the volume knob. It's virtually an all acapella tribute (1986) that I made to Minóy in my worship of his woollybrain and horrific voice. Truly heartfelt and completely sincere, you'll wonder how I can still speak after putting my voice through such histrionics.
Caught in the Throat of the Beast is a strange Minóy composition which changes so much, and continually goes in so many different directions that it is difficult to pin a descriptive phrase on it. It can be said that it is not a dense mix: items float freely, they come and go, and none of the sounds linger for any extended periods of time.
This takes the jake hobo random thing one step farther (and once you do this you can only really do it once before you come back from the brink) where i didn’t even listen to the tape as i was making it. mainly you risk distortion, but it was an anti-ego experiment in no taste. i remember sitting on the floor of the livingroom at drake park apartments. orange carpet, I was facing east. in front of me was a tin pie pan divided into segments that were numbered which i would spin to determine to things.(i believe it was this process that i used for this realese) to my left was a drawer of source tapes from all manner of people. i believe i arrived at which tapes to use by a different method than the pan. (perhaps multi-sided d&d dice? and maybe not)
Spring cleaning in 1997 unearthed some collaborations which had slipped into obscurity. The Forge a Pan recordings were ten years old and needed only a short track to finish the work. It now consists of two pieces, creaky, sometimes creepy, but always changing landscapes. Jack Jordan reports
Unacknowledged as a release for twelve years Fractured Lingere Break You Ears was discovered in 2000 during an exhaustive survey of my msater tapes. Knowing I’d uncover discrepancies in my cataloging of them, I went through them documenting non-release b-sides, among other things, and that’s where I dug up this tidy release. Spacy - yet involving, with good flow and variety.
The Persistence of Memory is a tape that appears before Sodomy in the Supreme Court Lobby. It is brooding and contorted with disheveled collapsing sounds. The latter is a torrentially dismembered version of the former. Lots of radio interruptions and nasty cross edits, shortwave disruption and media disembodiment. It's this classic tape (Sodomy) that Dave Prescott played continually on WZBC; plus it received the classic critical comment in an Option review: "It's tapes like these that make me wonder why people bother." This tape is not everyone's cup of tea, and we're proud of that.
The Persistence of Memory is a tape that appears before Sodomy in the Supreme Court Lobby. It is brooding and contorted with disheveled collapsing sounds. The latter is a torrentially dismembered version of the former. Lots of radio interruptions and nasty cross edits, shortwave disruption and media disembodiment. It's this classic tape (Sodomy) that Dave Prescott played continually on WZBC; plus it received the classic critical comment in an Option review: "It's tapes like these that make me wonder why people bother." This tape is not everyone's cup of tea, and we're proud of that.
A traditional Minóy combination starters to hear is Monochrome Melodrama with its use of voices, drones, short wave, and undulating synthesis. Another work in this style is Multiple Minóy which employs more wit in its construction and treatment than most tapes. These tapes, though odd, are considerably more soothing than many of the above-mentioned releases.
The most unnerving tape in my Elevation of Anxiety catalog has to be the Round One - Minóy vs. Zannóy combat which pits a nasty audio letter from Minóy (one that forced me to not write him or listen to any of his tapes for an entire year) with my response, plus some background continuity from Tuf. Jeph Jerman said it was a tape that he really wanted to turn off, but couldn't because it was so compelling. Dave Prescott simply replied "You are a Genius."